NaBloPoMo #14 – Autobiography of a Writer Saturday, Nov 14 2009 

nablo1109.120x200 It started with a yellow legal pad and a tiny writing desk in the basement. By the light of my father’s grey gooseneck lamp, I carefully wrote the tale. It was a play about two women, sisters, beautiful, and united in a common mission: marry a prince.

I was ten years old. It was the last time I’d try playwrighting. Or a period piece.

From there, an endless stream of journals.Which I still have. Which I hope someone will find and publish when I die because, well, that’d be kind of cool.

In fifth grade, there were twelve pages of onionskin typing paper written on my dad’s old manual typewriter. The story began with a dreadful plane crash and children stranded on an island. The most important things are recorded in the twelve pages – exactly what everybody is wearing and their rank in the social hierarchy. (Any resemblance to famous novels by William Golding are mere coincidence – I would not read Lord of the Flies until eighth grade.)

A steady stream of encouraging and inspiring teachers, most amazing writers in their own right: Mrs. Miller in the eighth grade, Dr. Moorehead in high school, Professor Lucas in college, Paul Griner in grad school.

And writing groups. There have been many and I look at them like former boyfriends. There are ones I miss because they were fun. There were a few that included true powerhouses of talent, such that my own writing was humbled. I got kicked out of one after telling the dictator of the group he could not do as he pleased with my work. (Then after four years of no contact, he tried to friend me on Facebook. Srsly? WTF?) I love writing groups, not just for the structure and the insistence to produce, but the community of like-minded writerly folk. It’s like a creative writing class without the school part.

I wrote volumes of poetry for many years. Stuff so purple your eyes turn lavender after reading it. Then short fiction for  a long time. My master’s thesis is a collection of short stories. Currently, I’m working on a novel and honing my essay-writing skills. I am interested in creative nonfiction and humor.

All my life there has been no choice. I don’t write because I’m good at it. I didn’t keep going because other people told me to. It’s just the way I am. It’s the only thing that makes sense sometimes.

100 words: First first first draft Saturday, May 31 2008 

A few years ago, I found a mailla folder with a small stack of neatly typed onionskin pages held together with a rusty little paperclip. The title reads “Caitlin’s Animal Farm” by Sara Duvall. I don’t mind telling you, Dear Reader, that this is one of the great unfinished works in late 20th century American literature. I wrote it circa 1989 and I am certain this is going to be one of Oprah’s book club picks very soon.

The general idea of the story is a bunch of kids are stranded on an island with no adult supervision. (Heard it before? Yes, well, mine’s DIFFERENT.) The narration is delivered via first-person point of view and consists almost entirely of descriptions of the other students. Caitlin, our heroine, is exceedingly smart and efficient in this time of distress, guiding her classmates to safety and observing the horror with the calm clarity of a person much older and wiser. Eleven pages illustrate for us Caitlin’s true leadership qualities as she divides tasks, makes plans, and doesn’t even sniffle at the prospect of life on a deserted island.

As I read over this, I’m sort of touched. This was me, twenty years ago, trying to be a writer. There’s a lot working here. But most of it is typical first writer junk. That’s a pen name up there and all the characters have names out of soap operas – Sebastion Kingsley, Milla Johannsen, Suzanne Beckwith, Stephanie Scott. There’s a LOT of telling-not-showing. Here’s a gem: “Both girls were very pretty, Stephanie more of the ditzy blonde and Suzanne more the artful dodger with a hint of femininity woven in.” HA. Brilliant.

I was obsessed with the class divide story and I was reading a lot of books featuring the poor kid/rich kid thing. Many of the kids in this piece are very well off but who is it that saves the day? Conscientious, hard-working Caitlin who doesn’t have money but makes up for it in common sense. 

I saved this because this is so much of what was going through my mind at this age. And because it’s my writing roots. It reminds me that writing isn’t just a passing fancy, it’s something I’ve been drawn to and compelled to do for at least two-thirds of my life.  I like to pull it out now and then, just to see how far I’ve come.